Thursday, March 5, 2009

The Mysterious Case of the Fiat Lorry and Rudolf Lacher

When describing the Ipatiev House, the word "courtyard" turns out to be as misleading to the Romanov story as "corset"

To often, when envisioning the house, we fail to do so taking BOTH wooden palisades into account, along with their corresponding gates. We imagine the Fiat lorry to have backed into the "courtyard" located within the walls of the Ipatiev property, when - I hope to prove - that was either quite impossible or enormously difficult, particularly under the circumstances. When rereading the text and thinking of what was really meant by "courtyard", much becomes clear - so much, I believe, that the evidence linking one of the alleged shooters - Rudolf Lacher - is cast into serious doubt.

First, let us examine each item:


THE FIAT LORRY



Article 1: the Fiat lorry - incredibly important to the crime - and yet so rarely examined in any great detail. "a one-and-a-half ton Fiat, with a flat, open bed of wood slats measuring just 6 by 10 feet and enclosed by wooden side rails." (FOTR, p.300) Think also about this: no rear view mirrors, very crude gear and clutch mechanisms, no power steering, poor turning radius (just have a look at the wheels!), low HP


THE IPATIEV HOUSE GATE



Article 2: The gate to the house, built in 1897, was never intended for motorcars, but rather carriages; as you can see, it was quite narrow with two sizable stone pillars on each side.


THE NARROW LANE



Article 3: This is VERY IMPORTANT: "Voznesensky Prospect, some FIVE FEET HIGHER than the Ipatiev house, was separated by a steep bank and a narrow, secondary roadway marked by a small, ornate shrine dedicated to St. Nocholas.

One COULD NOT exit or enter Voznesensky Prospect from the Ipatiev Gate (as is so often described). One could only turn onto the narrow lane. Here is another view; you can see, to some extent, the embankment and line of trees separating the smaller road with the broad prospect:




THE OUTER PALISADE:



Article 4: There are many photos, 3D models, etc. of the Ipatiev House; inexplicably none include a crucial part of the landscape: the external wooden palisade. Remember there were two fences at the time of the murder, an internal and external. This created a DRIVEWAY or COURTYARD between the Ipatiev House and Outer Wooden Palisade.


THE PALISADE GATES



Article 5: The outer palisade lined the steep five foot bank and enclosed the narrow lane; the trees were included within the fence. Now - this is also very important - there were TWO palisade gates, one to ENTER and one to EXIT the PALISADE:

"The second fence had two gates - one facing the Vosnesensky Lane, the second right opposite them, in the opposite side of the fence, close to the gate of the house... ...The [second gate] was built when we were there, AS IT WAS FOUND THAT AUTOMOBILES HAD MUCH DIFFICULTY LEAVING THROUGH THE FIRST ENTRANCE ON ACCOUNT OF A STEEP HILL. That was the reason why the gates facing the Vosnesensky Lane were constructed. The motor cars entered through both gates, but they left only through the gate facing the Vosnesensky Lane." (Last Days, p.168)

Why was it important? Because to go the effort of building a second gate meant there was clearly trouble with the first one - and not with trucks, with automobiles. Notice that the main house gate isn't even mentioned here; it was never used for motorcars.

CONCLUSION: THE LORRY NEVER PARKED INSIDE THE "COURTYARD" NEXT TO THE HOUSE. It couldn't: the lane and fence made the confined space TOO NARROW for the turning radius of a long Fiat truck into the narrow house gate.





Why does this matter? Because, as I hope to show, it helps create a reasonable doubt for the involvement of one of the alleged shooters, Rudolf Lacher (it also helps us better understand the timing, movement of bodies, etc.).

Let us now examine the testimony by following the journey of the Lorry on the night of the murder from the Ekaterinburg Military Garage to the departure from the Ipatiev House (that is all that concerns me here; the remainder of the night I leave to others). I quote often from King and Wilson's FOTR as it gives a great blow by blow account.

THE DRIVER

Serge Lyukhanov, official chauffeur to the House of Special Purpose. This is quite important, as it means he was all too familiar with the difficulties of driving up the hill, turning into the wooden palisade gate, and exiting out the second wooden palisade gate. He'd done it often with automobiles, and it was likely his complaints which led to the construction of the second palisade gate leading out to Voznesensky Lane. This, however, was not an automobile, it was a truck, and one about to be weighed down, both literally and figuratively, by a henious crime.

The truck was supposed to have arrived at midnight; instead it arrived at 1:30 a.m. Having informed Botkin to wake the others, Yurovsky "retreated to his office."

"Within a few minutes, through the open windows, Yurovsky heard Lyukhanov's truck; with the curfew, it was the only vehicle on Voznesensky Prospect. The Fiat rumbled passed the square and turned through the open gates of the palisade into the sloped courtyard... Yurovsky told Lyukhanov to drive to the opposite side of the square where he was to wait for further instructions. He left the Fiat parked next to the cathedral, while he himself stood in the dusty street, smoking; above him stretched the dark sky, dotted with twinkling stars." p.301

Here "courtyard" clearly means the driveway between the outer palisade and the house, not the internal courtyard withing the property walls. If it was possible to park in the internal courtyard, as so many picture, it would have taken quite an effort. And in the end Yurovsky would have told him, "Graceful parking job, old boy, now head over to the church and wait for my command", leaving Lyukhanov with another delicate job of getting out again. The reality was that Yurovsky probably simply called out his direction through the open window and L. drove directly out the 2nd gate.

At this point Yurovsky moves into action handing out pistols, briefing men. Medvedev makes rounds and informs outside guards. The Romanovs are ready, Yurovsky brings them into the infamouse cellar room, tells them they "would have to wait until the arrival of a truck; he then disappeared... Yurovsky found Ermakov, and sent him across Voznesensky Prospect to summon the truck." (p.305)

This is an extremely tense moment; the Romanovs are actually waiting in the little room while all this is taking place! So getting to the house and parking the truck quickly, particularly given how behind schedule they already are, is CRITICAL. Here is what happens:

"Lyukhanov hopped into the cab, driving the Fiat across the prospect and through the open courtyard gates [here, again, "courtyard" is used interchangeably]. Because of the steep slope of the courtyard, he decided to BACK THE TRUCK through the gate, leaving it at the top of the incline beneath the archway; once loaded, he worried that the weight of the corpses would prevent the truck from making its way back up the incline and out the gate." (p.305)

The word "gate" and "courtyard" are very ambiguous, considering there are not one but THREE gates, and not one but TWO courtyards. In truth, Lyukhanov, having been through this before, was worried about the steep slope exiting THE MAIN PALISADE GATE. Such difficulty, after all, was the precise reason they constructed the second palisade gate. This places the lorry not in the internal IPATIEV HOUSE COURTYARD but rather in the area in front of the house enclosed by the palisade.

Let us suppose there was the remote possibility of backing the lorry in the narrow house gate. It would - at a minimum - have taken several guards, a very patient driver, forward, reverse, forward again, reverse again, wheel cranking, cursing, lurching into gear, etc. All while the Romanovs sat in a tiny room and wondered what on earth was going on. No, time was of the essence and even if it were possible, they could not afford to spend it on arduous lorry driving manuevers. And, for that matter, why? The entire area was enclosed by a massive fence!

Now, let us examine how the vehicle departs, with its eleven bodies and six additional passengers:

"Lyukhanov started the Fiat's engine, and slowly the truck eased its way up the sloping drive and out of the Ipatiev House courtyard onto Voznesensky Prospect. It passed down the borad, deserted avenue, bereft of all traffic." (p.315)

COURTYARD here clearly means the area in front of the house enclosed by the palisade. For if the lorry were parked in the INTERNAL IPATIEV COURTYARD, according to these directions, in order to turn onto V. Prospect it would have had to drive up a five foot embankment and through a wooden palisade! Quite unlikely...

Now imagine the truck parked in the area in front of the house, enclosed by the wooden palisade: the truck eased up the sloping drive of the narrow lane and turned right out of the front wooden palisade gate onto Voznesensky Prospect. Voila.

By now you are very likely dying to know, WHAT DOES ALL THIS HAVE TO DO WITH RUDOLF LACHER?

I will not hesitate any longer.

First of all, he was a real person; if he has any relatives, they carry with them the burden of the accusation of murder, a burden I hope to dispel, or at least cast all that should be necessary to exonorate him: REASONABLE DOUBT.

RUDOLF LACHER

Here is his photo:



A good looking chap. The facts: Austrian prisoner of war. "Joined the Habsburg Army in 1914 and was sent to the Carpathian Front. In 1915 captured by Russian troops in Galicia and sent to labor camp in Urals. After the revolution, 'allowed to do work... provided I had authorization'... secured a job in Verkh-Isetsk factory, largely on strength of linguistic talents... speaking German and Russian... acted as official interpreter... rising quickly through the ranks of his comrades until he came to Yurovsky's notice. (FOTR, p.270)


THE ALIBI

He claimed on the night of the murders "Yurovsky had locked him into his room at midnight... insisted he had watched through the keyhole of his door as the victims passed, noting that all of the grand duchesses were sobbing as they descended the staircase. Later, he said, after a number of shots, he climbed on his bed and peered out of the window, counting 'eleven bloody bundles' as they were loaded into the waiting Fiat. (p.591)


THE CASE AGAINST RUDOLF LACHER

"Lacher's room, directly beneath Yurovsky's office, had one small window, with double panes of glass, sunk deeply into the two-foot-thick stone wall; between it and the courtyard gate, into which Lyukhanov had backed the Fiat, the first palisade was attached to the eastern facade of the Ipatiev House and, beyond this, the main stairs, with high concrete piers on either side, further obscuring the view and eliminating any possibility that Lacher could have seen what he claimed." (p.591)

The ONLY other evidence is "inferential": "Netrebin, who recalled that, of his comrades, only Lepa and Verhas did not participate in the shooting." (p.591)


ANALYSIS

Let us look at the case, point by point. We need to first see where this window and room were located.





You can see that photos of this window are hard to come by; nevertheless while the stairs obscure a small portion of the line of site, virtually all activity in this area in front of the house, once enclosed by a palisade, is visible from this window.

"Wait a moment!" says the prosecution. "What about the first palisade! Did you not read the testimony? "the first palisade was attached to the eastern facade of the Ipatiev House" thus obscuring his view.

"Have a closer look," says the defense. "The first palisade meets the wall precisely between the commandant's windows, splitting Lacher's window in two. He could, in fact, see quite clearly virtually any activity in this outer courtyard."

Here is a muddy photo of the first palisade (this too is often misplaced in models). You can see (barely) the visible half of the window. Look closely, it is indeed there. And more importantly, by viewing the placement of the fence directly between of the upper two windows, based on the location of the window in other posts one can better visualize the 50/50 split.



"But if the lorry was in the internal courtyard..." objects the prosecution weakly.

"No!" says the defense. "We have spent two previous posts and several hours proving otherwise!"

Recall the approximate location of the lorry, based on evidence and testimony:



CONCLUSION

Observe, if you will, his line of sight from said location:



"THEREFORE," thunders the defense, "Rudolf Lacher could very well have witnessed the loading of bodies into the lorry. Given the evidence surrounding the true location of the lorry, it is certainly far from IMPOSSIBLE he did not, casting REASONABLE DOUBT to his involvement in the shooting."

The judge, aroused from his slumber, looks about dazedly, finds Rudolph Lacher and claps the gavel. "Given the new evidence on the location of the Fiat lorry," he states judiciously (for isn't that what judges do), "You sir, are hereby free to go!"

A FINAL NOTE: Having read quite a bit about the murder of the Romanovs, do I believe that Rudolph Lacher was one of the murderers? Well, he certainly could have been. But as his attorney my job is only to demonstrate the weaknesses in the evidence against him, which I have done. Taking off that hat, because of the number of "Letts" used in the execution and Lacher's linguistic skills, it seems logical he may have been one of the shooters. We will never know for sure.

Saturday, January 31, 2009

An Unsettling Conversation Between Moses and the LORD over Serotonin, Locusts, and the state of the Pharoah's Heart

Then the LORD said to Moses, "Stretch out your hand over the land of Egypt for the locusts, that they may come up on the land of Egypt and eat every plant of the land, even all that the hail has left."

"But LORD," Moses replied, "The Pharaoh hath quelled the locusts, such that they no longer swarm."

"That's absurd," said the LORD.

And Moses shrugged his shoulders and stretched forth his rod over the land of Egypt, and the LORD brought an east wind upon the land all that day, and all the night; and when it was morning, the east wind brought the locusts.

And the locusts went up over all the land of Egypt, and rested in all the borders of Egypt; very grievous were they; before them there were no such locusts as they, neither after them shall be such.

For they did not swarm, nor did they cover the face of the whole earth so that the land was darkened; and they did not eat every herb of the land, and all the fruit of the trees which the hail had left; and... well you get the idea.

And the reason for this was the blocking of the Serotonin, the mechanism that excited the locusts and correlated to some degree with melancholy among the people, and thus the Pharoah's heart was not hardened, the eighth plague of Egypt was not terribly effective, the Red Sea did not part, etc.

And none of this made the LORD very happy.

Thursday, January 22, 2009

The Mad Hatter's "To Die For" Tuna Melt

What better topic to begin J.T. Storey's official blog than with a popular recipe from my upcoming cookbook "Gems from the Trailer Park": the Mad Hatter's "To Die For" Tuna Melt!

Ah, come on, we're all going to die from something, so all concerns over toxic elements concentrated at the top of the ocean's food chain should be put to the side. It is that good. "Where goeth thine hatter, goeth I also" is a well-known aphorism among tuna lovers worldwide.

It is worth noting this recipe came in 2nd place at a recent tuna culinary contest behind a very well-presented seared ahi. Very dramatic it was: startling everyone, the chef shouted something that sounded like "aha!", only when he uncovered the dish it came out as "ahi!" Everyone clapped.

On with the recipe:

THE TUNA:
1 9 ounce can, Chicken of the Sea Albacore Tuna in "Spring Water"
1 hard boiled egg
1 tablespoon, sweet relish (essential, secret ingredient)
1/3 cup Helmann's mayonaise
1/4 cup diced celery
1/4 cup diced red onions
1 teaspoon yellow mustard
pepper, seasoned to taste

Directions:
Drain tuna water. Peel hard boiled egg (If you can't hard boil an egg, discontinue recipe at once; degree of difficulty hereafter extremely high). Mix all above in bowl, turning egg and tuna bits into something close to a puree. Okay that's stretching it, but you get the idea. It should look a bit like cat food. Refrigerate at least 2-3 hours.

THE MELT:
1 tablespoon butter
2 slices of jack cheese (or whatever you prefer. for more flavor, try a good Havarti)
2 bread slices (a true trailer park aficionado would go for the obvious choice, wonder white, but I know you can do better)
(optional) fresh avocado slices
(optional) fresh tomato slices

Directions:
Lightly butter outside of bread slices. Position cheese and tuna, or if you want to get crazy, sear the tuna a little in the pan before placing on bread. Take remaining butter and place in pan at medium heat. heat until bread is golden brown, flip, etc. Cover briefly to ensure cheese is melted. Cut in nifty halves and serve. Open face another compelling option.

OPTIONAL HARD ECONOMIC TIMES/DEPRESSION ERA THRIFT/DIET RATIONALIZATION RECIPE MODIFICATION:
When toasting bread, butter only ONE SIDE of sandwich. Then, while eating, cleverly position the butter side down, imparting flavor to tongue while simultaneously denying upper palette of the very same. This alone should satisfy any latent guilt regarding the rich flavors embodied in your meal. However, if you remain unconvinced, rest assured that the dry and possibly burned crust of the unbuttered sandwich side will most certainly lacerate the previously-mentioned deprived upper palette, leaving scars on top of mouth lasting several days at a minimum. That should constitute enough self-inflicted torment for even the most stalwart and rigid protestant (which in terms of degree should cover most everyone else), at least enough to enjoy a tuna melt.

So there it is. The next time you feel the need to mull over that famous riddle "Why is a raven like a writing desk?", try one of these.